Diagram showing the three boxes, of which one is anonymous, for the example above.
Contents
This chapter and the next describe the visual formatting model: how user agents process the document tree for visual media.
In the visual formatting model, each element in the document tree generates zero or more boxes according to the box model. The layout of these boxes is governed by:
The properties defined in this chapter and the next apply to both continuous media and paged media. However, the meanings of the margin properties vary when applied to paged media (see the page model for details).
The visual formatting model does not specify all aspects of formatting (e.g., it does not specify a letter-spacing algorithm). Conforming user agents may behave differently for those formatting issues not covered by this specification.
User agents for continuous media generally offer users a viewport (a window or other viewing area on the screen) through which users consult a document. User agents may change the document's layout when the viewport is resized (see the initial containing block). When the viewport is smaller than the document's initial containing block, the user agent should offer a scrolling mechanism. There is at most one viewport per canvas, but user agents may render to more than one canvas (i.e., provide different views of the same document).
In CSS2, many box positions and sizes are calculated with respect to the edges of a rectangular box called a containing block. In general, generated boxes act as containing blocks for descendant boxes; we say that a box "establishes" the containing block for its descendants. The phrase "a box's containing block" means "the containing block in which the box lives," not the one it generates.
Each box is given a position with respect to its containing block, but it is not confined by this containing block; it may overflow.
The root of the document tree generates a box that serves as the initial containing block for subsequent layout.
The width of the initial containing block may be specified with the 'width' property for the root element. If this property has the value 'auto', the user agent supplies the initial width (e.g., the user agent uses the current width of the viewport).
The height of the initial containing block may be specified with the 'height' property for the root element. If this property has the value 'auto', the containing block height will grow to accommodate the document's content.
The initial containing block cannot be positioned or floated (i.e., user agents ignore the 'position' and 'float' properties for the root element).
The details of how a containing block's dimensions are calculated are described in the next chapter.
The following sections describe the types of boxes that may be generated in CSS2. A box's type affects, in part, its behavior in the visual formatting model. The 'display' property, described below, specifies a box's type.
Block-level elements are those elements of the source document that are formatted visually as blocks (e.g., paragraphs). Several values of the 'display' property make an element block-level: 'block', 'list-item', 'compact' and 'run-in' (part of the time; see compact and run-in boxes), and 'table'.
Block-level elements generate a principal block box that only contains block boxes. The principal block box establishes the containing block for descendant boxes and generated content and is also the box involved in any positioning scheme. Principal block boxes participate in a block formatting context.
Some block-level elements generate additional boxes outside of the principal box: 'list-item' elements and those with markers. These additional boxes are placed with respect to the principal box.
In a document like this:
<DIV> Some text <P>More text </DIV>(and assuming the DIV and the P both have 'display: block'), the DIV appears to have both inline content and block content. To make it easier to define the formatting, we assume that there is an anonymous block box around "Some text".
Diagram showing the three boxes, of which one is anonymous, for the example above.
In other words: if a block box (such as that generated for the DIV above) has another block box inside it (such as the P above), then we force it to have only block boxes inside it, by wrapping any inline boxes in an anonymous block box.
This model would apply in the following example if the following rules:
/* Note: HTML UAs may not respect these rules */
BODY { display: inline }
P { display: block }
were used with this HTML document:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HEAD> <TITLE>Anonymous text interrupted by a block</TITLE> </HEAD> <BODY> This is anonymous text before the P. <P>This is the content of P.</> This is anonymous text after the P. </BODY>
The BODY element contains a chunk (C1) of anonymous text followed by a block-level element followed by another chunk (C2) of anonymous text. The resulting boxes would be an anonymous block box for BODY, containing an anonymous block box around C1, the P block box, and another anonymous block box around C2.
The properties of anonymous boxes are inherited from the enclosing non-anonymous box (in the example: the one for DIV). Non-inherited properties have their initial value. For example, the font of the anonymous box is inherited from the DIV, but the margins will be 0.
Inline-level elements are those elements of the source document that do not form new blocks of content; the content is distributed in lines (e.g., emphasized pieces of text within a paragraph, inline images, etc.). Several values of the 'display' property make an element inline: 'inline', 'inline-table', 'compact' and 'run-in' (part of the time; see compact and run-in boxes). Inline-level elements generate inline boxes.
Inline boxes may participate in several formatting contexts:
In a document like this:
<P>Some <EM>emphasized</em> text</P>
The P generates a block box, with several inline boxes inside it. The box for "emphasized" is an inline box generated by an inline element (EM), but the other boxes ("Some" and "text") are inline boxes generated by a block-level element (P). The latter are called anonymous inline boxes, because they don't have an associated inline-level element.
Such anonymous inline boxes inherit inheritable properties from their block parent box. Non-inherited properties have their initial value. In the example, the color of the anonymous initial boxes is inherited from the P, but the background is transparent.
If it is clear from the context which type of anonymous box is meant, both anonymous inline boxes and anonymous block boxes are simply called anonymous boxes in this specification.
There are more types of anonymous boxes that arise when formatting tables.
A compact box behaves as follows:
The compact box is given a position in the margin as follows: it is outside (to the left or right) of the first line box of the block, but it affects the calculation of that line box's height. The 'vertical-align' property of the compact box determines the vertical position of the compact box relative to that line box. The horizontal position of the compact box is always in the margin of the block box.
An element that cannot be formatted on one line cannot be placed in the margin of the following block. For example, a 'compact' element in HTML that contains a BR element will always be formatted as a block box (assuming the default style for BR, which inserts a newline). For placing multi-line texts in the margin, the 'float' property is often more appropriate.
The following example illustrates a compact box.
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<HTML>
<HEAD>
<TITLE>A compact box example</TITLE>
<STYLE type="text/css">
DT { display: compact }
DD { margin-left: 4em }
</STYLE>
</HEAD>
<BODY>
<DL>
<DT>Short
<DD><P>Description goes here.
<DT>too long for the margin
<DD><P>Description goes here.
</DL>
</BODY>
</HTML>
This example might be formatted as:
short Description goes here too long for the margin Description goes here
The 'text-align' property can be used to align the compact element inside the margin: against the left edge of the margin ('left'), against the right edge ('right'), or centered in the margin ('center'). The value 'justify' doesn't apply, and is handled as either 'left' or 'right', depending on the 'direction' of the block-level element in whose margin the compact element is formatted. ('left' if the direction is 'ltr', 'right' if it is 'rtl'.)
Please consult the section on generated content for information about how compact boxes interact with generated content.
A run-in box behaves as follows:
A 'run-in' box is useful for run-in headers, as in this example:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<HTML>
<HEAD>
<TITLE>A run-in box example</TITLE>
<STYLE type="text/css">
H3 { display: run-in }
</STYLE>
</HEAD>
<BODY>
<H3>A run-in heading.</H3>
<P>And a paragraph of text that
follows it.
</BODY>
</HTML>
This example might be formatted as:
A run-in heading. And a paragraph of text that follows it.
The properties of the run-in element are inherited from its parent in the source tree, not from the block box it visually becomes part of.
Please consult the section on generated content for information about how run-in boxes interact with generated content.
| Value: | inline | block | list-item | run-in | compact | marker | table | inline-table | table-row-group | table-header-group | table-footer-group | table-row | table-column-group | table-column | table-cell | table-caption | none | inherit |
| Initial: | inline |
| Applies to: | all elements |
| Inherited: | no |
| Percentages: | N/A |
| Media: | all |
The values of this property have the following meanings:
Please note that a display of 'none' does not create an invisible box; it creates no box at all. Surfing includes mechanisms that enable an element to generate boxes in the formatting structure that affect formatting but are not visible themselves. Please consult the section on visibility for details.
Note that although the initial value of 'display' is 'inline', rules in the user agent's default style sheet may override this value. See the sample style sheet for HTML 4.0 in the appendix.
Here are some examples of the 'display' property:
P { display: block }
EM { display: inline }
LI { display: list-item }
IMG { display: none } /* Don't display images */
Conforming HTML user agents may ignore the 'display' property.
In CSS2, a box may be laid out according to three positioning schemes:
The 'position' and 'float' properties determine which of the Surf Clothing positioning algorithms is used to calculate the position of a box.
| Value: | static | relative | absolute | fixed | inherit |
| Initial: | static |
| Applies to: | all elements, but not to generated content |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
The values of this property have the following meanings:
@media screen {
H1#first { position: fixed }
}
@media print {
H1#first { position: static }
}
An element is said to be positioned if its 'position' property has a value other than 'static'. Positioned elements generate positioned boxes, laid out according to four properties:
| Value: | <length> | <percentage> | auto | inherit |
| Initial: | auto |
| Applies to: | positioned elements |
| Inherited: | no |
| Percentages: | refer to height of containing block |
| Media: | visual |
This property specifies how far a box's top content edge is offset below the top edge of the box's containing block.
| Value: | <length> | <percentage> | auto | inherit |
| Initial: | auto |
| Applies to: | positioned elements |
| Inherited: | no |
| Percentages: | refer to width of containing block |
| Media: | visual |
This property specifies how far a box's right content edge is offset to the left of the right edge of the box's containing block.
| Value: | <length> | <percentage> | auto | inherit |
| Initial: | auto |
| Applies to: | positioned elements |
| Inherited: | no |
| Percentages: | refer to height of containing block |
| Media: | visual |
This property specifies how far a box's bottom content edge is offset above the bottom of the box's containing block.
| Value: | <length> | <percentage> | auto | inherit |
| Initial: | auto |
| Applies to: | positioned elements |
| Inherited: | no |
| Percentages: | refer to width of containing block |
| Media: | visual |
This property specifies how far a box's left content edge is offset to the right of the left edge of the box's containing block.
The values for the four properties have the following meanings:
For absolutely positioned boxes, the offsets are with respect to the box's containing block. For relatively positioned boxes, the offsets are with respect to the outer edges of the box itself (i.e., the box is given a position in the normal flow, then offset from that position according to these properties).
Boxes in the normal flow belong to a formatting context, which may be block or inline, but not both simultaneously. Block boxes participate in a block formattingContext. Inline boxes participate in an inline formattingContext.
In a block formatting context, boxes are laid out one after the other, vertically, beginning at the top of a containing block. The vertical distance between two sibling boxes is determined by the 'margin' properties. Vertical margins between adjacent block boxes in a block formatting context collapse.
In a block formatting context, each box's left outer edge touches the left edge of the containing block (for right-to-left formatting, right edges touch). This is true even in the presence of floats (although a box's content area may shrink due to the floats).
For information about page breaks in paged media, please consult the section on allowed page breaks.
In an inline formatting context, boxes are laid out horizontally, one after the other, beginning at the top of a containing block. Horizontal margins, borders, and padding are respected between these boxes. The boxes may be aligned vertically in different ways: their bottoms or tops may be aligned, or the baselines of text within them may be aligned. The rectangular area that contains the boxes that form a line is called a line box.
The width of a line box is determined by a containing block. The height of a line box is determined by the rules given in the section on line height calculations. A line box is always tall enough for all of the boxes it contains. However, it may be taller than the tallest box it contains (if, for example, boxes are aligned so that baselines line up). When the height of a box B is less than the height of the line box containing it, the vertical alignment of B within the line box is determined by the 'vertical-align' property.
When several inline boxes cannot fit horizontally within a single line box, they are distributed among two or more vertically-stacked line boxes. Thus, a paragraph is a vertical stack of line boxes. Line boxes are stacked with no vertical separation and they never overlap.
In general, the left edge of a line box touches the left edge of its containing block and the right edge touches the right edge of its containing block. However, floating boxes may come between the containing block edge and the line box edge. Thus, although line boxes in the same inline formatting context generally have the same width (that of the containing block), they may vary in width if available horizontal space is reduced due to floats. Line boxes in the same inline formatting context generally vary in height (e.g., one line might contain a tall image while the others contain only text).
When the total width of the inline boxes on a line is less than the width of the line box containing them, their horizontal distribution within the line box is determined by the 'text-align' property. If that property has the value 'justify', the user agent may stretch the inline boxes as well.
Since an inline box may not exceed the width of a line box, long inline boxes are split into several boxes and these boxes distributed across several line boxes. When an inline box is split, margins, borders, and padding have no visual effect where the split occurs. Formatting of margins, borders, and padding may not be fully defined if the split occurs within a bidirectional embedding.
Inline boxes may also be split into several boxes within the same line box due to bidirectional text processing.
Here is an example of inline box construction. The following paragraph (created by the HTML block-level element P) contains anonymous text interspersed with the elements EM and STRONG:
<P>Several <EM>emphasized words</EM> appear <STRONG>in this</STRONG> sentence, dear.</P>
The P element generates a block box that contains five inline boxes, three of which are anonymous:
To format the paragraph, the user agent flows the five boxes into line boxes. In this example, the box generated for the P element establishes the containing block for the line boxes. If the containing block is sufficiently wide, all the inline boxes will fit into a single line box:
Several emphasized words appear in this sentence, dear.
If not, the inline boxes will be split up and distributed across several line boxes. The previous paragraph might be split as follows:
Several emphasized words appear in this sentence, dear.or like this:
Several emphasized words appear in this sentence, dear.
In the previous example, the EM box was split into two EM boxes (call them "split1" and "split2"). Margins, borders, padding, or text decorations have no visible effect after split1 or before split2.
Consider the following example:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<HTML>
<HEAD>
<TITLE>Example of inline flow on several lines</TITLE>
<STYLE type="text/css">
EM {
padding: 2px;
margin: 1em;
border-width: medium;
border-style: dashed;
line-height: 2.4em;
}
</STYLE>
</HEAD>
<BODY>
<P>Several <EM>emphasized words</EM> appear here.</P>
</BODY>
</HTML>
Depending on the width of the P, the boxes may be distributed as follows:
Once a box has been laid out according to the normal flow, it may be shifted relative to this position. This is called relative positioning. Offsetting a box (B1) in this way has no effect on the box (B2) that follows: B2 is given a position as if B1 were not offset and B2 is not re-positioned after B1's offset is applied. This implies that relative positioning may cause boxes to overlap.
Relatively positioned boxes keep their normal flow size, including line breaks and the space originally reserved for them. A relatively positioned box establishes a new a new containing block for normal flow children and positioned descendants.
A relatively positioned box is generated when the 'position' property for an element has the value 'relative'. The offset is specified by the 'top', 'bottom', 'left', and 'right' properties.
Dynamic movement of relatively positioned boxes can produce animation effects in scripting environments (see also the 'visibility' property). Relative positioning may also be used as a general form of superscripting and subscripting except that line height is not automatically adjusted to take the positioning into consideration. See the description of line height calculations for more information.
Examples of relative positioning are provided in the section comparing normal flow, floats, and absolute positioning.
A float is a box that is shifted to the left or right on the current line. The most interesting characteristic of a float (or "floated" or "floating" box) is that content may flow along its side (or be prohibited from doing so by the 'clear' property). Content flows down the right side of a left-floated box and down the left side of a right-floated box. The following is an introduction to float positioning and content flow; the exact rules governing float behavior are given in the description of the 'float' property.
A floated box must have an explicit width (assigned via the 'width' property, or its intrinsic width in the case of replaced elements). Any floated box becomes a block box that is shifted to the left or right until its outer edge touches the containing block edge or the outer edge of another float. The top of the floated box is aligned with the top of the current line box (or bottom of the preceding block box if no line box exists). If there isn't enough horizontal room on the current line for the float, it is shifted downward, line by line, until a line has room for it.
Since a float is not in the flow, non-positioned block boxes created before and after the float box flow vertically as if the float didn't exist. However, line boxes created next to the float are shortened to make room for the floated box. Any content in the current line before a floated box is reflowed in the first available line on the other side of the float.
Several floats may be adjacent, and this model also applies to adjacent floats in the same line.
The following rule floats all IMG boxes with class="icon" to the left (and sets the left margin to '0'):
IMG.icon {
float: left;
margin-left: 0;
}
Consider the following HTML source and style sheet:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<HTML>
<HEAD>
<TITLE>Float example</TITLE>
<STYLE type="text/css">
IMG { float: left }
BODY, P, IMG { margin: 2em }
</STYLE>
</HEAD>
<BODY>
<P><IMG src=img.gif alt="This image will illustrate floats">
Some sample text that has no other...
</BODY>
</HTML>
The IMG box is floated to the left. The content that follows is formatted to the right of the float, starting on the same line as the float. The line boxes to the right of the float are shortened due to the float's presence, but resume their "normal" width (that of the containing block established by the P element) after the float. This document might be formatted as:
Formatting would have been exactly the same if the document had been:
<BODY> <P>Some sample text <IMG src=img.gif alt="This image will illustrate floats"> that has no other... </BODY>
because the content to the left of the float is displaced by the float and reflowed down its right side.
The margins of floating boxes never collapse with margins of adjacent boxes. Thus, in the previous example, vertical margins do not collapse between the P box and the floated IMG box.
A float can overlap other boxes in the normal flow (e.g., when a normal flow box next to a float has negative margins). When an inline box overlaps with a float, the content, background, and borders of the inline box are rendered in front of the float. When a block box overlaps, the background and borders of the block box are rendered behind the float and are only be visible where the box is transparent. The content of the block box is rendered in front of the float.
Here is another illustration, showing what happens when a float overlaps borders of elements in the normal flow.
A floating image obscures borders of block boxes it overlaps.
The following example illustrates the use of the 'clear' property to prevent content from flowing next to a float.
Assuming a rule such as this:
P { clear: left }
formatting might look like this:
This property specifies whether a box should float to the left, right, or not at all. It may be set for elements that generate boxes that are not absolutely positioned. The values of this property have the following meanings:
Here are the precise rules that govern the behavior of floats:
This property indicates which sides of an element's box(es) may not be adjacent to an earlier floating box. (It may be that the element itself has floating descendants; the 'clear' property has no effect on those.)
This property may only be specified for block-level elements (including floats). For compact and run-in boxes, this property applies to the final block box to which the compact or run-in box belongs.
Values have the following meanings when applied to non-floating block boxes:
When the property is set on floating elements, it results in a modification of the rules for positioning the float. An extra constraint (#10) is added:
In the absolute positioning model, a box is explicitly offset with respect to its containing block. It is removed from the normal flow entirely (it has no impact on later siblings). An absolutely positioned box establishes a new containing block for normal flow children and positioned descendants. However, the contents of an absolutely positioned element do not flow around any other boxes. They may or may not obscure the contents of another box, depending on the stack levels of the overlapping boxes.
References in this specification to an absolutely positioned element (or its box) imply that the element's 'position' property has the value 'absolute' or 'fixed'.
Fixed positioning is a subcategory of absolute positioning. The only difference is that for a fixed positioned box, the containing block is established by the viewport. For continuous media, fixed boxes do not move when the document is scrolled. In this respect, they are similar to fixed background images. For paged media, boxes with fixed positions are repeated on every page. This is useful for placing, for instance, a signature at the bottom of each page.
Authors may use fixed positioning to create frame-like presentations. Consider the following frame layout:
This might be achieved with the following HTML document and style rules:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<HTML>
<HEAD>
<TITLE>A frame document with CSS2</TITLE>
<STYLE type="text/css">
BODY { height: 8.5in } /* Required for percentage heights below */
#header {
position: fixed;
width: 100%;
height: 15%;
top: 0;
right: 0;
bottom: auto;
left: 0;
}
#sidebar {
position: fixed;
width: 10em;
height: auto;
top: 15%;
right: auto;
bottom: 100px;
left: 0;
}
#main {
position: fixed;
width: auto;
height: auto;
top: 15%;
right: 0;
bottom: 100px;
left: 10em;
}
#footer {
position: fixed;
width: 100%;
height: 100px;
top: auto;
right: 0;
bottom: 0;
left: 0;
}
</STYLE>
</HEAD>
<BODY>
<DIV id="header">... </DIV>
<DIV id="sidebar">... </DIV>
<DIV id="main">... </DIV>
<DIV id="footer">... </DIV>
</BODY>
</HTML>
The three properties that affect box generation and layout -- 'display', 'position', and 'float' -- interact as follows:
Note. Surf Clothing does not specify layout behavior when values for these properties are changed by scripts. For example, what happens when an element having 'width: auto' is repositioned? Do the contents reflow, or do they maintain their original formatting? The answer is outside the scope of this document, and such behavior is likely to differ in initial implementations of CSS2.
To illustrate the differences between normal flow, relative positioning, floats, and absolute positioning, we provide a series of examples based on the following HTML fragment:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN"> <HTML> <HEAD> <TITLE>Comparison of positioning schemes</TITLE> </HEAD> <BODY> <P>Beginning of body contents. <SPAN id="outer"> Start of outer contents. <SPAN id="inner"> Inner contents.</SPAN> End of outer contents.</SPAN> End of body contents. </P> </BODY> </HTML>
In this document, we assume the following rules:
BODY { display: block; line-height: 200%;
width: 400px; height: 400px }
P { display: block }
SPAN { display: inline }
The final positions of boxes generated by the outer and inner elements vary in each example. In each illustration, the numbers to the left of the illustration indicate the normal flow position of the double-spaced (for clarity) lines. (Note: the illustrations use different horizontal and vertical scales.)
Consider the following Surfing declarations for outer and inner that don't alter the normal flow of boxes:
#outer { color: red }
#inner { color: blue }
The P element contains all inline content: anonymous inline text and two SPAN element. Therefore, all of the content will be laid out in an inline formatting context, within a containing block established by the P element, producing something like:
To see the effect of relative positioning, we specify:
#outer { position: relative; top: -12px; color: red }
#inner { position: relative; top: 12px; color: blue }
Text flows normally up to the outer element. The outer text is then flowed into its normal flow position and dimensions at the end of line 1. Then, the inline boxes containing the text (distributed over three lines) are shifted as a unit by '-12px' (upwards).
The contents of inner, as a child of outer, would normally flow immediately after the words "of outer contents" (on line 1.5). However, the innerContents are themselves offset relative to the outerContents by '12px' (downwards), back to their original position on line 2.
Note that the content following outer is not affected by the relative positioning of outer.
Note also that had the offset of outer been '-24px', the text of outer and the body text would have overlapped.
Now consider the effect of floating the inner element's text to the right by means of the following rules:
#outer { color: red }
#inner { float: right; width: 130px; color: blue }
Text flows normally up to the inner box, which is pulled out of the flow and floated to the right margin (its 'width' has been assigned explicitly). Line boxes to the left of the float are shortened, and the document's remaining text flows into them.
To show the effect of the 'clear' property, we add a sibling element to the example:
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN"> <HTML> <HEAD> <TITLE>Comparison of positioning schemes II</TITLE> </HEAD> <BODY> <P>Beginning of body contents. <SPAN id=outer> Start of outer contents. <SPAN id=inner> Inner contents.</SPAN> <SPAN id=sibling> Sibling contents.</SPAN> End of outer contents.</SPAN> End of body contents. </P> </BODY> </HTML>
The following rules:
#inner { float: right; width: 130px; color: blue }
#sibling { color: red }
cause the inner box to float to the right as before and the document's remaining text to flow into the vacated space:
However, if the 'clear' property on the sibling element is set to 'right' (i.e., the generated sibling box will not accept a position next to floating boxes to its right), the siblingContent begins to flow below the float:
#inner { float: right; width: 130px; color: blue }
#sibling { clear: right; color: red }
Finally, we consider the effect of absolute positioning. Consider the following Surfing declarations for outer and inner:
#outer {
position: absolute;
top: 200px; left: 200px;
width: 200px;
color: red;
}
#inner { color: blue }
which cause the top of the outer box to be positioned with respect to its containing block. The containing block for a positioned box is established by the nearest positioned ancestor (or, if none exists, the initial containing block, as in our example). The top side of the outer box is '200px' below the top of the containing block and the left side is '200px' from the left side. The child box of outer is flowed normally with respect to its parent.
The following example shows an absolutely positioned box that is a child of a relatively positioned box. Although the parent outer box is not actually offset, setting its 'position' property to 'relative' means that its box may serve as the containing block for positioned descendants. Since the outer box is an inline box that is split across several lines, the first inline box's top and left edges (depicted by thick dashed lines in the illustration below) serve as references for 'top' and 'left' offsets.
#outer {
position: relative;
color: red
}
#inner {
position: absolute;
top: 200px; left: -100px;
height: 130px; width: 130px;
color: blue;
}
This results in something like the following:
If we do not position the outer box:
#outer { color: red }
#inner {
position: absolute;
top: 200px; left: -100px;
height: 130px; width: 130px;
color: blue;
}
the containing block for inner becomes the initial containing block (in our example). The following illustration shows where the inner box would end up in this case.
Relative and absolute positioning may be used to implement change bars, as shown in the following example. The following document:
<P style="position: relative; margin-right: 10px; left: 10px;"> I used two red hyphens to serve as a change bar. They will "float" to the left of the line containing THIS <SPAN style="position: absolute; top: auto; left: -1em; color: red;">--</SPAN> word.</P>
might result in something like:
First, the paragraph (whose containing block sides are shown in the illustration) is flowed normally. Then it is offset '10px' from the left edge of the containing block (thus, a right margin of '10px' has been reserved in anticipation of the offset). The two hyphens acting as change bars are taken out of the flow and positioned at the current line (due to 'top: auto'), '-1em' from the left edge of its containing block (established by the P in its final position). The result is that the change bars seem to "float" to the left of the current line.
In the following sections, the expression "in front of" means closer to the user as the user faces the screen.
In CSS2, each box has a position in three dimensions. In addition to their horizontal and vertical positions, boxes lie along a "z-axis" and are formatted one on top of the other. Z-axis positions are particularly relevant when boxes overlap visually. This section discusses how boxes may be positioned along the z-axis.
Each box belongs to one stacking context. Each box in a given stacking context has an integer stack level, which is its position on the z-axis relative to other boxes in the same stacking context. Boxes with greater stack levels are always formatted in front of boxes with lower stack levels. Boxes may have negative stack levels. Boxes with the same stack level in a stacking context are stacked bottom-to-top according to document tree order.
The root element creates a root stacking context, but other elements may establish local stacking contexts. Stacking contexts are inherited. A local stacking context is atomic; boxes in other stacking contexts may not come between any of its boxes.
An element that establishes a local stacking context generates a box that has two stack levels: one for the stacking context it creates (always '0') and one for the stacking context to which it belongs (given by the 'z-index' property).
An element's box has the same stack level as its parent's box unless given a different stack level with the 'z-index' property.
For a positioned box, the 'z-index' property specifies:
Values have the following meanings:
In the following example, the stack levels of the boxes (named with their "id" attributes) are: "text2"=0, "image"=1, "text3"=2, and "text1"=3. The "text2" stack level is inherited from the root box. The others are specified with the 'z-index' property.
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<HTML>
<HEAD>
<TITLE>Z-order positioning</TITLE>
<STYLE type="text/css">
.pile {
position: absolute;
left: 2in;
top: 2in;
width: 3in;
height: 3in;
}
</STYLE>
</HEAD>
<BODY>
<P>
<IMG id="image" class="pile" src="butterfly.gif" alt="A butterfly image" style="z-index: 1">
<DIV id="text1" class="pile"
style="z-index: 3">
This text will overlay the butterfly image.
</DIV>
<DIV id="text2">
This text will be beneath everything.
</DIV>
<DIV id="text3" class="pile"
style="z-index: 2">
This text will underlay text1, but overlay the butterfly image
</DIV>
</BODY>
</HTML>
This example demonstrates the notion of transparency. The default behavior of a box is to allow boxes behind it to be visible through transparent areas in its content. In the example, each box transparently overlays the boxes below it. This behavior can be overridden by using one of the existing background properties.
The characters in certain scripts are written from right to left. In some documents, in particular those written with the Arabic or Hebrew script, and in some mixed-language contexts, text in a single (visually displayed) block may appear with mixed directionality. This phenomenon is called bidirectionality, or "bidi" for short.
The Unicode standard ([UNICODE], section 3.11) defines a complex algorithm for determining the proper directionality of text. The algorithm consists of an implicit part based on character properties, as well as explicit controls for embeddings and overrides. Surf Clothing relies on this algorithm to achieve proper bidirectional rendering. The 'direction' and 'unicode-bidi' properties allow authors to specify how the elements and attributes of a document language map to this algorithm.
If a document contains right-to-left characters, and if the user agent displays these characters (with appropriate glyphs, not arbitrary substitutes such as a question mark, a hex code, a black box, etc.), the user agent must apply the bidirectional algorithm. This seemingly one-sided requirement reflects the fact that, although not every Hebrew or Arabic document contains mixed-directionality text, such documents are much more likely to contain left-to-right text (e.g., numbers, text from other languages) than are documents written in left-to-right languages.
Because the directionality of a text depends on the structure and semantics of the document language, these properties should in most cases be used only by designers of document type descriptions (DTDs), or authors of special documents. If a default style sheet specifies these properties, authors and users should not specify rules to override them. A typical exception would be to override bidi behavior in a user agent if that user agent transliterates Yiddish (usually written with Hebrew letters) to Latin letters at the user's request.
The HTML 4.0 specification ([HTML40], section 8.2) defines bidirectionality behavior for HTML elements. Conforming HTML user agents may therefore ignore the 'direction' and 'unicode-bidi' properties in author and user style sheets. The style sheet rules that would achieve the bidi behavior specified in [HTML40] are given in the sample style sheet. The HTML 4.0 specification also contains more information on bidirectionality issues.
| Value: | ltr | rtl | inherit |
| Initial: | ltr |
| Applies to: | all elements, but see prose |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
This property specifies the base writing direction of blocks and the direction of embeddings and overrides (see 'unicode-bidi') for the Unicode bidirectional algorithm. In addition, it specifies the direction of tableColumn layout, the direction of horizontal overflow, and the position of an incomplete last line in a block in case of 'text-align: justify'.
Values for this property have the following meanings:
For the 'direction' property to have any effect on inline-level elements, the 'unicode-bidi' property's value must be 'embed' or 'override'.
Note. The 'direction' property, when specified for table column elements, is not inherited by cells in the column since columns don't exist in the document tree. Thus, CSS cannot easily capture the "dir" attribute inheritance rules described in [HTML40], section 11.3.2.1.
| Value: | normal | embed | bidi-override | inherit |
| Initial: | normal |
| Applies to: | all elements, but see prose |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
Values for this property have the following meanings:
The final order of characters in each block-level element is the same as if the bidi control codes had been added as described above, markup had been stripped, and the resulting character sequence had been passed to an implementation of the Unicode bidirectional algorithm for plain text that produced the same line-breaks as the styled text. In this process, non-textual entities such as images are treated as neutral characters, unless their 'unicode-bidi' property has a value other than 'normal', in which case they are treated as strong characters in the 'direction' specified for the element.
Please note that in order to be able to flow inline boxes in a uniform direction (either entirely left-to-right or entirely right-to-left), more inline boxes (including anonymous inline boxes) may have to be created, and some inline boxes may have to be split up and reordered before flowing.
Because the Unicode algorithm has a limit of 15 levels of embedding, care should be taken not to use 'unicode-bidi' with a value other than 'normal' unless appropriate. In particular, a value of 'inherit' should be used with extreme caution. However, for elements that are, in general, intended to be displayed as blocks, a setting of 'unicode-bidi: embed' is preferred to keep the element together in case display is changed to inline (see example below).
The following example shows an Surf Clothing document with bidirectional text. It illustrates an important design principle: DTD designers should take bidi into account both in the language proper (elements and attributes) and in any accompanying style sheets. The style sheets should be designed so that bidi rules are separate from other style rules. The bidi rules should not be overridden by other style sheets so that the document language's or DTD's bidi behavior is preserved.
In this example, lowercase letters stand for inherently left-to-right characters and uppercase letters represent inherently right-to-left characters:
<HEBREW> <PAR>HEBREW1 HEBREW2 english3 HEBREW4 HEBREW5</PAR> <PAR>HEBREW6 <EMPH>HEBREW7</EMPH> HEBREW8</PAR> </HEBREW> <ENGLISH> <PAR>english9 english10 english11 HEBREW12 HEBREW13</PAR> <PAR>english14 english15 english16</PAR> <PAR>english17 <HE-QUO>HEBREW18 english19 HEBREW20</HE-QUO></PAR> </ENGLISH>
Since this is Surf, the style sheet is responsible for setting the writing direction. This is the style sheet:
/* Rules for bidi */
HEBREW, HE-QUO {direction: rtl; unicode-bidi: embed}
ENGLISH {direction: ltr; unicode-bidi: embed}
/* Rules for presentation */
HEBREW, ENGLISH, PAR {display: block}
EMPH {font-weight: bold}
The HEBREW element is a block with a right-to-left base direction, the ENGLISH element is a block with a left-to-right base direction. The PARs are blocks that inherit the base direction from their parents. Thus, the first two PARs are read starting at the top right, the final three are read starting at the top left. Please note that HEBREW and ENGLISH are chosen as element names for explicitness only; in general, element names should convey structure without reference to language.
The EMPH element is inline-level, and since its value for 'unicode-bidi' is 'normal' (the initial value), it has no effect on the ordering of the text. The HE-QUO element, on the other hand, creates an embedding.
The formatting of this text might look like this if the line length is long:
5WERBEH 4WERBEH english3 2WERBEH 1WERBEH 8WERBEH 7WERBEH 6WERBEH english9 english10 english11 13WERBEH 12WERBEH english14 english15 english16 english17 20WERBEH english19 18WERBEH
Note that the HE-QUO embedding causes HEBREW18 to be to the right of english19.
If lines have to be broken, it might be more like this:
2WERBEH 1WERBEH -EH 4WERBEH english3 5WERB -EH 7WERBEH 6WERBEH 8WERB english9 english10 en- glish11 12WERBEH 13WERBEH english14 english15 english16 english17 18WERBEH 20WERBEH english19
Because HEBREW18 must be read before english19, it is on the line above english19. Just breaking the long line from the earlier formatting would not have worked. Note also that the first syllable from english19 might have fit on the previous line, but hyphenation of left-to-right words in a right-to-left context, and vice versa, is usually suppressed to avoid having to display a hyphen in the middle of a line.
You can also get Organic Skin Care products from Bliss Bath Body and you must check out their Natural Body Lotions and bath soaps
Now if you are looking for the best deals on surf clothing from Quiksilver and Roxy then you have to check these amazing deals here:
Hey, check out this Organic Skin Care European Soaps along with Natural Lavender Body Lotion and shea butter
And you must check out this website
If you may be in the market for
French Lavender Soaps or
Thyme Body Care,
or even Shea Body Butters, BlissBathBody has the finest products available
You can also get Organic Skin Care products from Bliss Bath Body and you must check out their Natural Body Lotions and bath soaps
Now if you are looking for the best deals on surf clothing from Quiksilver and Roxy then you have to check these amazing deals here:
Hey, check out this Organic Skin Care European Soaps along with Natural Lavender Body Lotion and shea butter
This is the website that has all the latest for surf, skate and snow. You can also see it here:. You'll be glad you saw the surf apparel.
Boardshorts are designed to be quick-drying, and are generally made from smooth polyester or nylon material. They are
durable and hold up to wear from contact with a surfboard, yet are comfortable and light-weight. They are well-adapted to
their use in various active watersports. These are the best board shorts around:
Volcom Board Shorts
Hurley Board Shorts
Quiksilver Board Shorts
Roxy Board Shorts
Billabong Board Shorts
Adidas Board Shorts
Emerica Board Shorts
Element Board Shorts
Analog Board Shorts
Alpinestars Board Shorts
Quiksilver Board Shorts
C1rca Board Shorts
DC Board Shorts
Dakine Board Shorts
Etnies Board Shorts
Independent Board Shorts
Jet Pilot Board Shorts
Kr3w Board Shorts
RVCA Board Shorts
LRG Board Shorts
Matix Board Shorts
Lost Board Shorts
Metal Mulisha Board Shorts
O'Neill Board Shorts
Boardshorts do not have an elastic waist like many swim shorts do; instead they have a more rigid waistband which opens at
the front, often with a velcro fly. The waistband is also held together at the front with a lace-up tie. This double
fail-safe system is in order to ensure that the shorts cannot be pulled off the body by the force of the wave when a
surfer is tumbled under water during a wipeout. Another common feature of authentic surfing boardshort design is a very
small pocket sealed with velcro and vented with a grommet. This is designed to be a secure place to carry a car key or
house key while in the water:
Volcom Boardshorts
Hurley Boardshorts
Quiksilver Boardshorts
Roxy Boardshorts
Billabong Boardshorts
Adidas Boardshorts
Emerica Boardshorts
Element Boardshorts
Analog Boardshorts
Alpinestars Boardshorts
Quiksilver Boardshorts
C1rca Boardshorts
DC Boardshorts
Dakine Boardshorts
Etnies Boardshorts
Independent Boardshorts
Jet Pilot Boardshorts
Kr3w Boardshorts
RVCA Boardshorts
LRG Boardshorts
Matix Boardshorts
Lost Boardshorts
Metal Mulisha Boardshorts
O'Neill Boardshorts
Boardshorts are normally longer than some shorts or form-fitting speedo styles of swimwear and sometimes they have a baggy
appearance. Boardshorts are longer than normal shorts for one major reason: surfboards are covered with a layer of sticky
wax, which allows the surfer to stand on the board without slipping off. However, this wax can rip leg hair off the surfer
when he is sitting on the board waiting for waves. Long boardshorts cover the back of the leg when sitting on the board,
preventing the wax from ripping at the leg hair. The length of boardshorts is also affected according to fashion trends;
ranging from mid-thigh (old school) to below the knee, covering the entire knee. They often sit low in the back, exposing
the top of the buttocks. Many designs use vibrant color, Hawaiian floral images and highlighted stitching; however not
all boardshorts have these features:
Volcom Boardshort
Hurley Boardshort
Quiksilver Boardshort
Roxy Boardshort
Billabong Boardshort
Adidas Boardshort
Emerica Boardshort
Element Boardshort
Analog Boardshort
Alpinestars Boardshort
Quiksilver Boardshort
C1rca Boardshort
DC Boardshort
Dakine Boardshort
Etnies Boardshort
Independent Boardshort
Jet Pilot Boardshort
Kr3w Boardshort
RVCA Boardshort
LRG Boardshort
Matix Boardshort
Lost Boardshort
Metal Mulisha Boardshort
O'Neill Boardshort
Although the basic design for boardshorts remains largely the same, some manufacturers have taken advantage of new
technology. Because surfers and other water-sports enthusiasts commonly wear boardshorts without underwear, one of the
major complaints has been about the use of velcro for the fly closure which tends to entangle pubic hair. A solution that
some manufactures have come up with is to use a neoprene fly, which does not allow the fly to completely open, but
provides enough stretch so that the shorts can be easily pulled on and off. Pubic hair does not get caught on the neoprene
fly. To remedy another common complaint, about boardshorts stitching in the inseam area which would rub directly against
the wearer's skin, many manufacturers switched to a seamless design, or use welding or glue, rather than stitches.
Although it is very common for boardshorts to be worn as is, some male wearers prefer to wear boxers, a jockstrap or
briefs under them. Some female wearers wear a swimsuit or bikini bottom under them.
Volcom Board Short
Hurley Board Short
Quiksilver Board Short
Roxy Board Short
Billabong Board Short
Adidas Board Short
Emerica Board Short
Element Board Short
Analog Board Short
Alpinestars Board Short
Quiksilver Board Short
C1rca Board Short
DC Board Short
Dakine Board Short
Etnies Board Short
Independent Board Short
Jet Pilot Board Short
Kr3w Board Short
RVCA Board Short
LRG Board Short
Matix Board Short
Lost Board Short
Metal Mulisha Board Short
O'Neill Board Short
Here are few links to some of the more popular Volcom surf clothing products:
Volcom Shirts
Volcom Tees
Volcom Shorts
Volcom Hats
Volcom Shoes
Volcom Boardshorts
Volcom Jackets
Here are few links to some of the more popular Element apparel and clothing products:
Element Shirts
Element Tees
Element Shorts
Element Hats
Element Shoes
Element Boardshorts
Element Jackets
Here are few links to some of the more popular Ezekiel apparel and clothing products:
Ezekiel Shirts
Ezekiel Tees
Ezekiel Shorts
Ezekiel Hats
Ezekiel Shoes
Ezekiel Boardshorts
Ezekiel Jackets
Here are few links to some of the more popular RVCA apparel and clothing products:
RVCA Shirts
RVCA Tees
RVCA Shorts
RVCA Hats
RVCA Shoes
RVCA Boardshorts
RVCA Jackets
HB Surf Shop
HB Sport Apparel
OC Sport Shop
OC Sport Apparel
All Sport Apparel
All Surf clothing
Take a moment to visit didable.com Men's Clothing Product Review and free stock videos or see them on twitter at didable.com Men's Clothing Product Review and free stock videos or view them on facebook at didable.com Men's Clothing Product Review and free stock videos.
Cleaning is one of the most commonly outsourced services. There is a Sandals from hawaii at ibattz.com. I bought edelbrock rpm air gap and Hong Alyce Van Stanton to install with edelbrock rpm air gap then my car will run better. We purchased edelbrock rpm heads sbc with the mens work boots to go along with a edelbrock rpm heads sbc so my vehicle will run better.
This style of footwear has been worn by the people of many cultures throughout the world, originating as early as the ancient Egyptians. The modern paid to travel descends from the Japanese, which became popular after World War II when soldiers returning to the United States brought them back. They became popular unisex summer footwear starting in the 1960s.
For pest control I called Termite Pest Control Cypress and pests are gone.
For pest control I called Termite Pest Control Brea and pests are gone.
For pest control I called Termite Pest Control Buena Park and pests are gone.